- Jenny Walker
- May 31
- 6 min read

Back in April, I needed to repair a pair of jeans that I had made a couple of years ago as I had walked through them. To be totally honest, they are not the best thing I have ever sewn together; a back panel wasn’t cut on the grain and looks a bit funky, and the zipper… just don’t look at the inside as it’s a crazy mess. But I love these jeans. They are as soft as butter, faded to the lightest blue, and the back pockets are fraying. What these jeans have taught me is that healing is messy; we heal in the mess. The patches that we choose to cover our scars with can be beautiful, but we are the ones that can choose how we mend them.
The life cycle of my jeans has been an interesting one to go through. Firstly, I made them. I cut them out and made a few mistakes (they were only my second pair of handmade jeans), and there have been times when I have had to wash them more than I would normally like due to heavy gardening on random Sundays with friends, or spilling coffee on them and looking like a goofball in the local cafe. For years I turned the cuffs up twice so sand would collect in them every time I went to the beach, until two weeks ago I just cut them to a length which is now (to be honest), an inch too short. They have travelled with me, and they have been a spring and summer staple in the wardrobe since they were sewn together.
Mending my clothes is something that reminds me of my psychotherapy sessions, which I hasten to add is a very good feeling. My weekly sessions with Jo were a dedicated hour in the week where I could stop, pick up my life, and take a good look at the rips and tears that needed attending to. I could analyse how the cloth of my life got beaten up. Some parts needed to be cut out and discarded, and there were other portions that I could take time to mend. I could choose new threads, pretty buttons, a better zipper, or a higher quality of material to patch and mend my life.
Choosing The Seams

When I started working on my own healing I walked into Jo’s ‘Head Shed’ (her garden therapy room), not knowing anything much about myself. I knew I loved Finchley and my brothers, and that they were my solid foundation - I could trust them and they never hurt me or let me down. The rest of life looked like a world obliterated through napalm followed by a fair few atom bombs. Over the years I learned that healing was not a ‘To-Do’ list that I had to tick off in order to achieve a state of ‘Fixe’, for me it was a process of self discovery and a place where I could let go - to cut out - the parts of my life - my cloth - that was damaged beyond a point I chose. I could then choose which seams I wanted to use to stitch the life around it.
Hand sewn Feld and French seams were chosen for their strength and depth for the parts of my life where I really wanted to dig into after the proverbial scissors had done their work. Whip stitches tacked around edges that needed to be stabilized with friendships, and an overlocker was brought out for a quick fix that would get everything together without an argument.
The re-connecting of ragged cloth gave me a canvas, and I realised that I didn’t like the colour of it. It had become as washed out grey; there was no excitement, and it still didn’t offer me a hint of what I wanted to move into. It was repaired, but with Jo’s guidance, I needed to work out how I wanted it to fit me. The whole of me. My mind, body, soul and heart.
Adding Colour

Colour was the surprising part of my therapy sessions, and I started to see it come out in my wardrobe as we travelled through my metaphorical and physical spaces. I started turning away from the feeling of control that had been placed on my fashion choices through my mum, who had made sure my colour analysis had been done when I was around 12 years old, and had used it to box in my style ever since. At the age of 40 I was finally able to admit that I hate the colour of oatmeal and I wanted to wear purple.
Silver sages and seafoam greens started to appear, and I began to love the gentle pinks and blues that I could see reflected in the natural world around me as I started to plan my move to the coast, and away from the greyness of the commuter belt. I noticed that the patterns I was creating with my knitting became more adventurous, with cables travelling through my sweaters, and colour-work became my go-to so that I could experiment in mixing patterns and colours, rather than wearing clothes in square blocks.
It came full circle last autumn when I decided to work in earth tones for a season. It was a wrench, and there were some that made my body feel anxious (it turns out that sludge green and oatmeal are dead and gone forever in my life, and that’s absolutely ok!). My healing palette was brighter greens, ochre, and burnt reds, but I have come to realise that I only need a couple of these in my wardrobe for the depths of winter, rather than carrying them with me as a self-styled brand imposed on me as a child.
Patching The Holes

There isn’t a hole in my ‘life-cloth’ that I am needing to cut out any more. There may be ones that come along in the future, but my life is more about patching and darning now, which is a comfortable place to be. As I was revisiting the patching of my jeans for the second time in the same place this week, I realised that the patches I had used the first time around had been too dainty. They only just covered the holes on the inside seams of the jeans; they had actually required full-on zig zag stitches, visible running stitches, and a patch that covered them a good inch further in all directions.
For the mend, I chose a soft chambray for the patches for the simple reason that the denim is now so soft and worn that a heavy duty 12oz patch would be ridiculous. It is a bit like choosing the right thread to darn my socks; silk for my bed-socks is perfect, whereas a full on woollen spun yarn for my hiking socks will get me to the top of the Cornish hills this autumn. The colours don’t have to match either, as a cream v-neck sweater can be enhanced by a glaring pop of colour on an elbow. But whatever material is chosen for the mending, the patch has to cover a much broader area than the injury and sewn in securely with anchor stitches and strong weaves.
You can’t half-ass healing.
To mend my jeans the second time,I got the whole arsenal out; the iron, sewing machine, and all-the-things from my sewing corner. There was no half-assing this time around. I cut the stringy threads and patched it thoroughly on both sides.
Mending, choosing to heal, they are choices. It’s true, I could just make another pair of jeans, and believe me, I will! But the time it takes to heal the ones I already have is a representation of the time I dedicated to healing myself to this point. There will be times when I get worn down and need to spend more time in Jo’s ‘head-shed’, but I would rather do that than just grab the nearest, shiniest, newest fashion that is filling me with dopamine hits.
Patching is deeply un-sexy, and it’s counter cultural in our fast-fashion driven world. I would argue that working on ourselves is similar, and you know what, it’s also just really boring most of the time! Mending with a community around us is the healthiest way to heal, and that is why I love the groups that I sew and knit with, it’s the gentlest form of therapy I can think of; small groups of people just hanging out and talking trash most of the time whilst we stitch our clothes and our lives together.
“We have to go in there, Mr Frodo, there’s nothing for it. Let’s just make it down the hill for starters”.
Samwise Gamgee ‘Return Of The King’ (Film)