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Tales From The Knitting Nook

'Tales From The Knitting Nook' is where you can follow my adventures as I explore many and varied textile projects, my love of reading, and life's rich  tapestry. 


Sunrise view over a calm river with moored boats, surrounded by lush greenery and distant houses under a soft, colorful sky.
As I write to you, dawn is breaking in an ever changing sky.

Hello, Gentlefolk,


As I sit at my writing desk, the sun is rising into a soft blue sky that holds a single cloud hazy with lavenders and roses. I can hear wood pigeons in the hedge, and there are a couple of Robins hopping around the daisies finding an early breakfast.  As I stood in the garden watching the world wake up around me, I have to admit that I took a deep breath in as I became overwhelmed at the beauty of it all. It’s a magical place to call home, and I am so pleased that I am able to share it with you. Today, I thought I would tell you the story of the day I forgot my phone, (and sewing a bucket hat).


It’s been quite the whirlwind here at The Knitted Wardrobe over the past couple of weeks as we have been enjoying one of the most beautiful months of May. Beaches and rivers have been calling, and being able to find time to play on the waters has been the focus of my days. Grebe has become a beautiful evening retreat spot after a day spent writing in the library, and Gylly is turning out to be a fantastic mid-week after work hang-out with friends. But the Helford River was calling for our attention on Sunday, and one place in particular; Frenchman’s Creek. 


There is one fact about pottering around in a canoe with a good friend on a sunny Sunday, and that is the fact that you will get sunburn very quickly if you don’t take care (believe me, I

have learned the hard way!). I am now quite good with the old sunscreen application, however the top of my head often feels like it’s taken a hit. As I was thinking about it on Saturday morning over a cup of tea, I realised that I needed a classic bucket hat to help make my head feel comfortable and also keep the sun off my face. However, spending money on a hat wasn't something I really wanted to do, and it wasn’t until I was in the shower that I remembered that Merchant and Mills offer a free to download bucket hat pattern, and I had enough fabric in stash to rustle something up. 



The result was my first ever hat, and I have to say that I am quite pleased with it! It’s in a soft 8oz cotton pink twill, and the lining is in the Indian block print that I ordered about three years ago; 3.5m of it arrived before I decided that I didn’t like it for a dressing gown, so it’s been implemented in almost every project since. The pink twill was the off cuts of a pair of trousers I made last summer, and I had just enough to piece it all together. The crown top on the hat was made by sewing two strips together so that the seam became the centre, which I then top stitched to match the stitching detail on the crown sides. In the end they didn’t match up perfectly, there’s a couple of millimeters discrepancy on each join, but to be honest, it’s just a bucket hat. 


I wanted to try the wide brim option as I felt that it would come down my forehead far enough to keep the sun from hitting me from the water’s reflection, and I am so pleased I did as I think it worked really well; it’s functional and looks cute. The stitching process for the classic circles around the brim was great fun as I was not only using scrap material out of stash, but I also ended up finishing three reels of thread in different tones of pink and pinky-brown. As I had to keep changing the threads, I confess that the uniformity of the concentric circles is a bit like a roller coaster, rather than a helter-skelter, but hey, it’s a hat. 


Woman smiling, wearing a peach hat and white shirt, tilts hat playfully. She has long hair and a gold bracelet. Neutral background.
My Bucket Hat.

As Sunday rolled around and I packed a picnic for the trip, I popped everything I needed into my dry bag, sunscreen included, and off we went to canoe up the river to Frenchman’s Creek, which is a place I have wanted to visit since the winter when I read Daphne Du Maurier’s book, and consequently fell in love with a Pirate. My friend had never read it but is always up for a good adventure, so off we went. 


As we got to Durgan to off-loaded the boat into the river, I was very pleased that I had not only remembered the hat and cream, but also that I had chosen to wear a shortie wetsuit. As it turned out, I was going to be the entertainment for all the tourists sitting on the beach for as soon as I lifted a foot out of the water to get in, I slipped and went under the foot of water, with my hat in hand. Spluttering and laughing I got up, caught my breath, and giggled as I saw my friend try not to laugh at the funniest and most idiotic thing I could have done! My new hat was drenched before I had even got in the canoe, and so it remained by my feet as we meandered up the lazy river. 


As we paddled past the boats moored up we said hello to people sitting on them enjoying the view and a glass of wine with their lunch. Egrets flew close to the banks as fish jumped and splashed about hunting for insect snacks. Oak trees flowed down the banks of the river into the water, creating tiny eco systems where life could thrive. The sound of water lapping against our little wooden hull reminded me of times as a kid when we would visit the lakes and enjoy BBQs with my family in the States; those halcyon times of the late 80’s when anything seemed possible and making sure there was enough corn on the cob and watermelon to eat was the most important thing to do. 


We gently floated along with the current and found Frenchman’s Creek. It was smaller than I had imagined and I couldn’t quite picture how a Piraite’s ship that was as big as the one I had imagined could be hidden there, but there was an old wreck hanging out on a small patch of mud surrounded by a gentle silence that evoked the beauty of Du Maurier’s writing. It was a special moment, and will be forever a picture that I carry in my mind; one filled with peace and stillness. 


Heading back to Durgan, we crept into an inlet by The Ferryboat Inn, and as we stopped to watch a heron I felt my shoulders drop and my breath slow right down. “This” I thought to myself, “This is peace”. I hadn’t felt it in me that deeply for decades. The last time was when I was in a canoe, on a lake, in Wisconsin back in 1999 when we were celebrating July 4th. The joy of both moments is that I didn’t have a phone near me. As I sat there on Sunday, with my hat by my feet, I realised that I had left my phone, and therefore my camera, in my kitchen. This moment of peace was one for the memory bank; a very personal time for me to sink into and enjoy, and for some reason I cannot name, it means more to me because of it. 


Sewing and knitting my own clothes slows me down a lot, but there is also something about being still and letting the nature around us calm our souls in a way that we can’t do on our own. Being there in companionable silence with a friend who can remember the time with me is magical, and there is a privacy about not having it logged on a phone and backed up to a server. The plop of fish near us, and the splash of our oars, are sounds that can soothe my mind when I am beginning to feel overwhelmed with the plans of the working week. These memories are what enable life to move forward. 


My hat made it home to the washing machine safe and well, and didn’t seem the worse off for its inaugural dunking in Cornish salt water; I doubt it will be the last time it sees the sand at the bottom of the shallows. It will also be my reminder of a perfect Spring Sunday on the river, and for that, I am very grateful. 


Now, the sun has changed to a brighter light and there are a couple of people starting to move around their boats as I look out the window. The Fal River is flat this morning with a low tide so I can  see the patch of sand in Flushing across the other side. My neighbour has just jogged down the path for her morning run, and there are a couple of dog walkers that have walked past. The day is starting, and I need to refill my tea pot. 


I hope that you have a wonderful day today, and that you have the opportunity to forget your phone and breathe a little deeper in nature soon. 


May your frogging be rare, and your needles always bring you joy. 


Love, 

Jenny xx


Hand holding a bitten chocolate ice cream bar against a clear blue sky, evoking a sense of summer enjoyment.
Ice-cream on a cloudless Sunday.

 
 
 

Woman in glasses wearing a white eyelet blouse and gold bracelet, smiles at the camera indoors with a calm, neutral background.
This year's Edie Top is perfect for summer.

Summer has come early to Cornwall. Days start with mist rising off the river revealing clear blue skies by the time my tea has brewed. The sun has brought all my freckles out, and I have learned that the sunblock I have isn’t resistant to sea swimming. My wardrobe has had to come out of its comforting woollen cocoon to embrace the linens and cottons that are now looking at me from the ironing pile. It's the season of balloon sleeves and summer breezes, which means it is time for me to revisit The Edie Top, by Merchant and Mills.


Last summer, my Edie was the one project that was cut out and then sadly left it to linger. The reason it was popped in the to-do basket rather than under my sewing machine was simply due to the fact that the weather was so bloody awful last year; we had nine months of rain, and by the time the end of August rolled around, the idea of wearing the cotton broderie anglaise left me with goosebumps. Last week, as I flicked through the BBC weather pages to see that the sun was about to bless us with glorious days of back to back warmth, I remembered that it was there waiting for me, and decided it was about time to just sew it up and pop it on my body! 


The Edie is a top that I have now sewn three times, and each one gets a little better. The first was done to the pattern, with ties at the back where the slit on the collar was placed (which ended up irritating me), and the sleeves were far too long, and the balloon detail was overly voluminous. (To be totally frank, the black and gold check made me feel as if I had remade Rupert The Bear’s trousers, and I didn’t like the weight of the cotton.)  


The second was where I lengthened the top by two inches to avoid it being too cropped, and took the sleeves up, as well as in. To take away a lot of the volume of the sleeve, whilst still giving it a generous puff, I simply took the grain line and marked 2.5inches either side near the cuff, then taking my meter rule I drew a line from the bicep point of the grain line to the mark by the cuff on each side. This basically made a huge dart, and I just moved the marked lines I had drawn together to the grain line. Is this how it is ‘supposed’ to be done? I have no idea, but it worked, and the cream linen version I made with it was hardly off my body before someone decided it needed a red wine stain all the way through the front. 



The second Eddie also taught me that I can hack the heck out of a pattern to make it fit my style, as bows at the back are not my vibe, and the ones on the sleeve cuffs end up in my coffee. My hack was to move the slit in the collar to the front and ditch the ties, as well as use elastic in the sleeve cuff in order to save both my laundry, and my coffee. Both decisions were perfect, and I kept them. 


This third version is the best yet! I purchased the fabric knowing that I would have to piece it together along some hidden lines as I couldn’t afford enough to pattern match the whole thing without some jiggery pokery. I chose to do the piecing for the sleeves, as the puff would hide any edges that were not 100% pattern matched, whereas the front and back would be too obvious. It was my first time doing pieced work, and I was delighted with the results - the edges are well hidden, and they look great on the back of the sleeve, right near the seam.



This version also has a lining for the front and back, and although I know that there is a very pretty flower detail to the fabric, no one else will know, and I quite like that. It’s a bit like my pocket linings; they are always pretty and colourful, but they are just for me to enjoy.


I decided that I wanted to practice my French Seams for the project as I know that I reach for my overlocker too often. I was glad that I did, as my skills definitely needed to have the rust knocked off them. At the beginning they were a bit too chonky for my liking, and the first ones I did for the shoulder seams ended up having a top stitch put through them to ensure that they lay flat. However, by the time I got to the sleeves, they were looking a lot neater, and I am pleased that I stuck with the process. The only overlocked seams are around the armholes, as the three layers needed stabilising, and I wasn’t about to do a Hong Kong seam with bias tape… the sun is out now and probably won’t wait for me to stop procrastinating over that option. 




I am delighted with the results from this project, and not just because I was wearing it out as soon as it had been through a much needed laundry cycle (it had been in storage for nearly a year!). I know that I need to spend more time sewing to keep my techniques in tip-top order, so it was a good project to start the rhythm of it again. I haven’t sewn much since my move down here, but I now feel as if I know my space better and can get into a flow in the evenings after work. I have moved stuff around in my living room to make this easier, and it’s a much more inviting space to create in. I think that coming to this version of The Edie allowed me to realise that I could still just do little bits each evening and not worry about doing it all in one go, and I am very thankful for that.



I absolutely love my version of the Merchant and Mills pattern. I have altered everything about it - even the back dart placements and the shoulder drops, but it has taught me how to do all those things; it is the perfect basic pattern to learn how to hack, and there is even an option to make it longer so that you can make a dress, which is on the list as I need a good beach cover-up.


I hope that you are encouraged to give it a go, as you can make it out of any flow-y material and end up with a winning staple in your wardrobe. If it is your first time with balloon sleeves, I would just urge you to make a mock-up first, as they are quite full and they may be a little overwhelming if you are, like me, a Hobbit. 


Until next time, may your needles always bring you joy, and may your frogging be rare. 


Love, Jenny xx

Woman in glasses wearing a white eyelet blouse looks back. Background shows a bedroom setting with muted colors, creating a calm mood.
The back is my ideal length.

 
 
 

Creating A Home With Awareness.
Creating A Home With Awareness.

Welcome to 'The Mindful Wardrobe’ series. It's been rummaging around my mind for a while. As I share it with you I hope it will create a space where we can open our wardrobe doors, take a breath, and enjoy some reflection whilst we look at our knitting and sewing projects. The series is a gentle focus on our knitting and sewing projects, mood boards, and where we source our materials, to a rounded chat about sustainable fashion and how we care for our world.


The aim is not simply on what we can gain from our daily meditative knitting and stitching sessions, but how we can powerfully harness a mindful process of creating to help engage with change.


‘Mindfulness’ is a term that was bandied around a lot when I was in the wellbeing and physical rehab world. In all honesty, I got to the point where I became a little disillusioned with it all; someone was always selling something to enable people to slow down and make space. I started to talk about it less and less when I treated my clients as I didn’t want them to think it was yet another thing that they had to put their money into. The concept of pausing, talking a breath, and allowing our mind and body to connect and slow down in harmony is something I feel should be a basic, instinctual, human state - we have a right to be at peace. 


It is with this caveat that I rather hesitatingly start this new blog series; I can assure you that I am not about to try and sell something to you. 


What Is Mindfulness?


Taking time to breathe.
Taking time to breathe.

Mindfulness is a practice of reflection in our bodies, our minds, and our hearts. I used to term it the ‘pause-and-breathe’ moments in the day; those times when you are in a grocery queue where you can pause, breathe, and check in with body and mind to align yourself. Mindfulness is nothing more, or less, than being aware of your present state. 


You can broaden this practice out in ways that make sense for you. Personally, I make a point of creating time to breathe with intention each day, and journaling is a powerful tool in my arsenal to help me reflect on the past so that I can focus on positive movement towards my future. Many of my therapy clients used yoga as a useful tool for their own healing, as well as walking and structured meditation. But you get the idea… find some time, be with yourself, gently reflect and enjoy a little peace. You do you, and you don’t have to spend a fortune doing it. 


In this blog series, we are taking mindfulness one step further to see if we can offer breath and peace to the wider world around us.


The Economics Of Mindless Fashion


Fashion and Mindfulness.
Fashion and Mindfulness.

We will get to our wardrobes in a moment, but I want to set out the two concepts that we will be returning to, before we begin this series. Consider this our compass setting as we roll out the map before us.


It is worth noting that ‘Mindfulness’ on its own is set to become a billion dollar business by 2027, in a wellness industry that is with trillions. (Yes - that’s Trillions with a T.) 


The fast fashion industry is worth billions also, with Shein alone worth between $66-$100 billion in 2023 according to Mackinsey. If we add every other form of fast fashion, we get another ‘Big T’ heading up the numbers.


Both of these industries, fashion and wellbeing, arguably take advantage of our basic needs for health and clothing on an industrial scale, but we can get into those topics at a later date. Waste, over consumption, debt, slave labour, water pollution… The list is endless. But my point here is that to presume that our wardrobes and our peace of mind are not linked is to be blind to the economic structures of the world that we live in; leggings for a yoga class is the easiest example I can think of.


Inner Development


Taking Time To Stop, Think, And Create.
Taking Time To Stop, Think, And Create.

The term ‘Inner Development’ may seem a little heavy handed for a knitting and sewing blog, but it is the name given to a process that can be used when thinking about human development, or in our case, mindful making. It’s a framework backed by the UN, and if you are keen to learn more, I would encourage you to follow the link below. I learned about this during a masterclass for Sustainable Fashion at Falmouth University, and I thank them for offering this to everyone! 



When we are knitting and sewing at home, embracing Inner Development is a great way of seeing how we can start to turn the tide towards a more sustainable way of life in our own homes, and how that can enable change in our communities: 


  1. Being - Our relationship to ourselves

  2. Thinking - Our cognitive skills

  3. Relating - Caring for those in our world

  4. Collaborating - Our social networks 

  5. Acting - Enabling Change


(As I look back at my work in rehab for physical trauma, I also think the World Health Organisation’s ICF framework could also be applied to this subject, but that is a whole other tangent!)


We shall be using Inner Development for our series, referring back to it time and again as we grow in our understanding of how we can mindfully create and embrace change for the better. So, let’s start! 


Mindfully Opening The Door


Opening The Wardrobe Door.
Opening The Wardrobe Door.

Our wardrobes are an eclectic array of rainbows. Different colours, textures, styles, and designers are reflected there. Every time we get dressed in the morning we choose to dress in a way that reflects how we feel and where we are going. Fashion can also be seen as showing off our economic and political stances to those we meet or pass in the streets. Our wardrobes are never ‘just clothes’.


Before we delve into the series, I want to encourage you to download the pdf and take it to where you house your clothes; your bedroom, dressing room, laundry room, and just sit in that space. 



David Hockney was once asked when he knew his paintings were finished, and he said that it was when he could sit with them for an hour and not fiddle with something on the canvas. As you sit there with your clothes, what makes you want to get up and ‘sort it out’? What irritates you? What makes you happy? Is it a colour, a texture, a style? Also, what do you feel is missing?! Is there a red dress that needs to be added, or a sweater that you’ve always hankered after? Is there a spot where a lightweight cardigan could go? What colours do you want to see added to your sock draw?


Other questions could be:

  • What does a ‘core closet’ look like for you? 

  • What does colour mean for your wardrobe?

  • How can you plan our projects in a mindful and meaningful way? 

  • Is there a community of makers and creators near you that you can join to help you make your wardrobe? 


All of this gives you data and information to build on later. Take note, write it down, and then just close the door. Allow these note-ings to settle in you for a while; let them be and then see how they evolve. Take note of thoughts that occur later on when you are out for a walk, and embrace time; there is no rush to the next thing we need to do.


The only thing I would encourage you to do is pause, take a deep breathe, and offer thanks for the clothes that you do have, and for the space that they are in.


Let’s Travel Together!


Let's Enjoy Our Mindful Wardrobe.
Let's Enjoy Our Mindful Wardrobe.

We have set our compass, and the map has been laid out in front of us, and one thing I am sure of is that we will probably get a little lost in the middle of the series. At the end of this trip together, and what I wish is for, is that these blogs to help us define our wardrobes in ways that reflect our true selves.


“Align Your Wardrobe With Your Values” is the call from Sew Liberated, and I believe this to be a rallying call that we can start to get behind. Even though it will mean different things to each of us, our making and creating can build communities that can help nurture our world in a better way.

 
 
 

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